The work that I do these days has a lot of inspirations behind it. We’ve been through many of them on this blog. Today, though, I want to talk about audio games, and their influence on my way of thinking. There are hardworking developers, usually a single individual or team of 2, that make and have made audio only games for the blind, and they don’t get enough credit for their work. It’s time to give them what I can.
The inability to play a lot of video games leaves a lot of holes in our entertainment choices compared to your average sighted individual. Audio game developers sprung forth from this emptiness, seeking to fill those gaps with quality games of all types. Their motivation was to make games resembling those everyone else knew and loved which could be played by the blind. To me, though, they served as both inspiration, and proof positive that my ideas could work.
I can’t even begin to list all the inspirations for me that have come from audio games, but I can go over a few. Audio Games like GMA’s Shades of Doom showed me that shooting enemies blind was possible if you had enough audio indication of where they were. It also showed me that, with a little extra input, we could locate objects lying on the ground. It even had a few secrets for people willing to blow stuff up, which of course I was. It’s a fantastic game that I still enjoy playing today.
Another pretty sweet game called Superliam, created by L-works, taught me that even side-scrolling adventures with occasional platforming elements weren’t out of the question. A fast-paced, sometimes quite intense thrillride, Superliam’s gameplay was frenetic and fun, and I finally got to experience those super Mario moments where you accidentally jump just a little too far off a platform. Whoops!
My mind continued to expand when I played a game called Monkey Business, currently owned by Draconis Entertainment. Monkey business offered up a 3D environment filled with things to find and interact with. One particular level is actually an old western town, and is probably the best example of this. Hear the piano playing in the saloon, walk toward it, and right on into the saloon, where anything might happen next. It felt alive in a way that Shades of Doom didn’t quite replicate with its tight corridors. I personally believe, as crazy as its premis is, it holds up as one of the best audio games to date.
Remember a long time ago when I published my ideas for how a point and click adventure game could be made accessible through the use of interactive menus? Well, that idea was also inspired by audio games like Grizzly Gulch, and Chillingham, both from a developer known as Bavisoft. Sadly, as I understand it, you can no longer play Grizzly Gulch on modern systems, but I’ve heard Chillingham still works. At any rate, those games used systems like that for all of their gameplay. Navigation, inventory management, using one item with another, all of it. Honestly, even combat was sort of menu based, as targets would appear on your left, in the center, or on the right, and you used your arrow keys to switch between those 3 options. Actually, if you were insane, the hard difficulty levels of those games switched things up from 3 options to 5 during combat. It was not easy. I remember both of those games fondly, and still wish Chillingham actually got its sequel. Freakin cliffhangers.
I believe the point has been made here. Audio game developers were the original outside the box thinkers. Their desire to create, and their ingenuity allowed them to come up with amazing ideas that, as far as I’m concerned, developers can apply today. Everyone out there who is a developer of any game, and is looking to make their game blind accessible should check out some audio games. Learn how those developers got around the issues that might exist, and build off of that knowledge to make something awesome happen. These days, we’ve got zombie shooters just for us, we’ve got a card battle game, we even have a couple RPG’s like A Hero’s Call thanks to the entrepreneurship of Out of Sight Games. We’ve got all these, and more as well. You can find more information, and eeven links to these games, on www.audiogames.net
One final clarification. While audio games are, as many other things are, an essential part of the groundwork for making games accessible to the blind, they are still games produced by small teams. This is why I have said before that audio games don’t quite match the scope of today’s epic experiences. This is why the mission of accessibility holds true. You just read that there are actually a lot of audio games out there, and we love them, but we still want to play what everyone else is playing. We still want to play EVERYTHING else. Thanks all for reading, and of course, continue to be awesome!