Why Being a Blind Gamer is Better

Over the course of my blog, I’ve talked about a lot of things. I’ve talked about the struggles, and the successes of being a blind gamer, I’ve talked about accessibility and how awesome it is sometimes, and where it could improve other times. Through all that, though, I haven’t revealed one of blind gaming’s biggest secrets. I haven’t explained why being a blind gamer is, in fact, better. I haven’t covered the hidden benefits. That’s what I’m going to do for you now. Prepare yourselves, because these are things many people don’t even consider until they witness it, or until we bring it up. Here goes!

Who needs a TV? No, seriously, who needs one? The answer, of course, is you sighted gamers. You’ve gotta have your polished graphics, and your 4K resolution. You’ve gotta have your HDR colors, and oooo those water effects! We blind gamers… We need none of those things. Why, almost every single day I stream those fancy console games I play, our TV is completely off. This is the one that really gets a lot of sighted people. My dad’s reaction was especially memorable when he walked in from work, heard game audio, and saw nothing. His brain didn’t know how to process it, so in a way it was almost like he got mad at me for not having the TV on. Then he actually thought about it, and it got funnier. Why bother turning that pesky TV on? All I need is the sound! This brings me to my next point.

Blind gamers can get cheaper hotel rooms! Of course, you don’t wanna go too cheap here. After all, you really don’t want a bedbug coming home in your bag. But hey, if one of the features of a hotel room you’re looking into is a 2000-inch TV, maybe you could scale back a bit. After all, you’re a blind gamer. Bring your console, bring your headset, plug into power, and you’re golden! Or another possibility if you don’t mind a little latancy, and if the wifi is good enough, and if your console is a PS4, just bring your laptop, and a controller, and use remote play! You can even afford to turn visual quality down a bit to ensure you can connect, because again, who needs graphics? 😊

Every console is practically mobile! Since you don’t need a TV, you can game wherever there’s a power outlet. Pro tip, this world contains many power outlets. If I could fit my PS4 into a carry-on bag, I could Playstation on a plane! Yeah, I know the Switch can do that, but we blind gamers, we awesome, fantastic, amazing blind gamers, are the only ones who can PS4 or even Xbox on a plane. This of course doesn’t take their size into account. You probably couldn’t actually do this, because both consoles are pretty large, and you couldn’t fit much else into a carry-on if you put one in, but in terms of mechanics once you got one onto a plane, you could totally do it. So clearly I’m driving the no TV thing into the ground, but to be fair, it’s pretty awesome. I actually have a friend who simply doesn’t have a TV, but owns and plays both a PS4 and Xbox One. But that’s not the only blind gamer benefit.

We can game long range! Both the PS4 and Xbox One’s controllers have the ability to route all game audio through the controller, and through a headset you connect to that controller. They also have surprisingly long wireless ranges, which most folks have no reason to take advantage of. You know, because they need to see the screen and all. Well, we are not so restricted. We can hook a headset up to our controller, launch a game, and take said controller out to, say, the porch swing. Ah, a nice relaxing gaming session far, far away from the console we’re gaming on. Feeling the sun on your face as you perform a gruesome fatality in mortal kombat, hearing the chirp of the birds as you take down a few more zombies in Resident Evil 6, these are the pleasures we blind gamers can enjoy. Now, I hear you again saying, “But, Nintendo Switch!” Sure, but both PS4 and Xbox One controllers, in my opinion, have superior battery life, and facing facts, the Switch is still a significant power level down from both of them. Still, this does lead to my next point.

Finally, finally, I’m actually going to talk about the Switch in a positive light, in order to demonstrate the fact that we blind gamers are potentially far more forgiving to ports of games. Mortal Kombat 11 is my example here, having just recently played the Switch version. To me, the port is essentially perfect. Yes, I notice the slowdown in transitional areas such as the boss fight, and I notice the bit of chop between gameplay and story cut scenes, but those are the only 2 things I knock off of it. Meanwhile, a review I heard on the Switch version suggested that it was so bad because of the scaled down graphics, especially in the portrayal of the crypt, that you definitely should not ever get the Switch version ever unless you don’t have any other console. Wow, that’s harsh. But guess what? I, and blind gamers everywhere, don’t care much about that, because they didn’t mess with the audio! I will say that I noticed very, very light compression, but we’re not talking MK9 on the vita here. The audio was still crystal clear, and as beautiful and savage as it is on every other console. Sounds like a solid port to me, and one I’ll be glad to take on the go. Ah, being a blind gamer rules!

Before I close, I want to be sure you understand that this post is all in fun. There are certainly benefits to being a blind gamer, and I think I’ve outlined them pretty well, but of course the sighted gamers out there have it pretty good too. Even though I can’t see them, I acknowledge there’s something to be said about game graphics being near photo realistic these days, not to mention the amount of games sighted gamers can play dwarfs those we can. Still, I had a lot of fun writing this, and I hope you enjoyed reading it. Continue to be awesome!

Is Gold Gun Golden Fun?

There’s a new game in town, folks, and it’s called Gold Gun. Developed by My True Sound, it is an episodic adventure set to take place over the course of 7 episodes where you are a blind agent fighting the forces of evil inside a virtual simulation of the deep web. The first episode has been released for free to everyone, and it sounded intriguing to me, so I took some time to play it. Here are my thoughts, just for you.

Firstly, what Gold Gun is attempting to achieve here is awesome. You can tell thought has been put into making the game a fast-paced, flowing cinematic experience. Quick tilts to change direction while you’re running, and simple 2 finger taps to grab things on the run, or even to grab enemies, demonstrate the game’s intent. This is a positive thing, and I applaud the overall direction here. Unfortunately, I must sadly confess that there are a lot of negatives which I must address.

The first thing, the one that jumps right out at you, is the voice acting. Every single performance, without exception, sounds bored, and some sound completely emotionless. Any gravitas a scene should have is utterly ruined by these lackluster efforts. I understand that budget can be an issue with small developers, I really do, but if your intent is to make a cinematic experience for us to become immersed in, you need to, at the very least, improve the voice direction if not hire completely different actors. The acting is so off in some areas that I have trouble even telling what’s supposed to be going on, since no actor conveys the emotion they are supposed to convey. Tooting my own horn here a bit, but as someone with a professional video game voice acting credit, I believe I could help out here immensely, even with just my input if not my voice. No matter what, this needs to improve if people are going to be expected to buy future episodes.

Secondly, there are moments that shatter the cinematic flow I spoke of earlier. Moments where you’re following a colleague make your blind protagonist seem silly, as you stop on a dime whenever there’s a turn, and for some reason, wait for your colleague to walk several steps, sometimes 9 or 10, down the corridor, before you can even take a turn action. This is ludicrous. We blind people don’t simply stop and wait when someone we’re following starts turning. We track them, and turn right along with them. This could be handled so much better by simply starting to shift their voice and footstep sounds in a new direction as they keep conversating, and expecting us to follow the sound by tilting in that direction. It’s what we do already, and would be much more realistic.

The game is also afflicted with many immersion-breaking audio issues. When you shoot an enemy, you don’t actually know if your shot connected, as they offer no reaction whatsoever. Certain environmental audio loops have empty silence at the end, meaning you get repeated moments of about a third of a second of silence every time the sound loops. Basically there’s environmental audio, then there isn’t for a second, and then there is again. It’s incredibly jarring. The 3D audio engine seems to take a second to shift the voices of the characters as well, as often times they’ll start in the center, then snap to where they’re supposed to be. Furthermore, every character, even the ones you’re supposedly following, sounds like they’re behind you. In short, a lot of audio problems.

I want to stress again that not everything about this experience was negative. I genuinely do like the concept of the game, and I do like the way it controls. However, my ultimate conclusion is not a good one. Here it is. This build of the game should not be offered as its first episode, free or otherwise. This should be considered a concept demo, and the actual first episode should be released later, keeping the core concepts and characters, but making dramatic improvements to writing, voice acting, and audio in general. The potential for a grand cinematic story is there, but this, in its current form, is not that. Please feel free to comment and discuss if you like, and thanks for reading. As always, continue to be awesome!

Final Fantasy X: Journey toward a Community

When I started my Final Fantasy X Playthrough, I really only had one goal in mind. That goal was to do what I usually do, and use the game to demonstrate what the blind are willing to go through to game, and what made the game playable in the first place. That was its only intent. What I didn’t expect, though, is what happened, and that’s what we’re here to talk about today. Even as I write this, I am still mulling over my feelings now that it has concluded, and that is a good thing in a lot of ways. I will now attempt to put this all down as best I can. Here’s hoping I do a decent job.

The things I began playing the game to do actually happened almost right away. I wanted to demonstrate the patience required to play the game blind, so I did by allowing myself to wander until I found my next objective, or the next item I needed, in the beginning. I wanted to demonstrate the bits that aren’t so accessible, and I did that by talking about the sphere grid, and the cloisters of trials. I showed the world how the combat system was very accessible, since every attack from every monster sounded different, and combat menus could be memorized to determine whose turn it currently was. After all this, the accessibility demonstration portion was basically over, aside from questions that came from newcomers now and again. I had effectively done the job I set out to do with this game. As it happened, though, I wasn’t done just yet.

I have had a long history with Final Fantasy X. I have, in fact, beaten the game twice before, utilizing help from the sighted only in the parts where it is absolutely required to proceed. So, as I was demonstrating all these things to my viewers, I was drawn to play it again. I was committed to sticking it out, and at first, content to just beat the main game, the same thing I had done before, on stream. I figured it’d be a pretty neat idea. But then, something I didn’t expect started to happen.

Gradually, as the playthrough went on, its identity began to change. Except for those previously-mentioned newcomers, I didn’t have to explain anything anymore. My viewers made 3 things very clear to me. They got it, they respected it, and they wanted to help. Before I knew it, people were pointing me in the right direction for our next objective, or shouting for me to stop because I had just walked past that save point and they didn’t want me to miss it. At first, while I appreciated these gestures, it didn’t quite hit me what was happening. I admit I took them as temporary kindnesses, and didn’t intend to ask for or expect more help than what I absolutely needed help with.

The thing is, the level of connection people had to the playthrough, and the level of assistance they offered, kept increasing. It started to click with me that this was something special, and so I eventually put up the idea of doing all the endgame content I had never been able to do on my own so long as the viewership was willing to continue to help me in the ways that they had. Not only did they agree, they agreed immediately. They were completely into the idea, and wanted to help see it through. And that, if you ask me, is when the real journey began.

The Final Fantasy X playthrough had become a collaborative event. It had morphed from being a thing I was doing to make a point or 2, into a thing that all of us were doing together. Now, people weren’t just telling me where that save point was, or which way I should start walking to get into a new area. Now they were telling me how many dark matter I had, where I could find that monster in the monster arena, and how I as a blind person could play the necessary mini game required to get a few ultimate weapons. To continue to put some perspective on the level of caring and collaboration that existed here, one viewer had started trying to think of a way to build a servo mechanism that would attach to a webcam, and automatically press the X button when lightning flashed in the Thunder Planes, just because he wanted me to be able to complete an in-game challenge related to an ultimate weapon. Those who were knowledgeable about Final Fantasy X were giving me tips on how to farm things easier, and suggestions about ways to fight monsters, and start building my stats for the endgame. If a suggestion created any kind of accessibility trouble for me, we discussed it, and I think a lot of enlightenment came out of those talks.

This attitude toward the playthrough continued, and grew with my audience. Every now and then, someone new would take interest, and more often than not, become a part of the community that was being built around this. It was incredible. The viewers were getting eager just as I was getting eager. Everyone wanted to reach those end game bosses, Nemysis and Penance. That was the goal now, you see. Not just to beat the game, but to beat all its toughest bosses as well.

And so we pushed on. We farmed things, we chatted as I did some grinding for levels, we tested ourselves against other difficult monsters and optional bosses like the Dark Aeons. There were highs and there were lows. Every time another really difficult opponent was defeated, we all cheered and celebrated. But when we found out that, in order to even successfully hit Dark Yojimbo, we needed to increase the party’s luck stat, something I had been basically ignoring up to that point, we groaned a little. No matter what, though, we pushed on.

And so it was this continued until January 21 of 2019. That was the day when both Penance, the biggest toughest boss of the game, was defeated. We then wrapped up the main story, and enjoyed the end together. All the while, the collaboration never stopped. I was running short on time, so one of my viewers, the same one with the crazy webcam idea, hopped into a convenient PS4 shareplay, and walked me to the final confrontation with Sin, the final story boss. I then took control back to finish the job.

I am moved by what this has become. As I said, I’ve beaten the main story of the game before, but never has it meant so much to me as it did this time. As one particular viewer stated, this was the very definition of an odyssey. It was an adventure that all of us participated in, and finished together. Even those who couldn’t help directly, who showed up to check progress or to watch for a while, were part of this event. Furthermore, this event has spawned future plans as well. Now that I truly know the insane support system I have behind me, I’ve decided to dedicate part of my channel to a series I’m calling Let’s play Together, where we attempt to do more collaborations like this. Next up will be the highly-acclaimed JRPG Persona 5, which we have technically already begun. I cannot wait to see what becomes of that playthrough.

I know I am lucky to have found those I have. People who care about me and my content, and who embrace what I’m trying to do. In their way, they are helping me do it. They are amazing, and I couldn’t ask for a better group. I said at the end of the playthrough that, as much as they’ve given me, I hope I have given them something too, whether that’s just entertainment, or enlightenment some of them may not have had before about blind gamers. Maybe, just maybe, seeing this level of caring and collaboration will inspire someone in a way I cannot predict. For now, this event stands as something I will always remember, and a true foundation of my Twitch community.

It’s OK to be Wrong: The Resident Evil 7 Revelation

“Nah, Resident Evil 7 isn’t playable at all by the blind,” I proclaimed to many people. “It’s missing all the features that made Resident Evil 6 playable, like the map trick we use. Plus the layout requires you to do a lot of backtracking, and also I tried the demo… Yeah, it’s not gonna work.” I’ve been saying this for a while now, as my discussions of Resident Evil 6 often lead to talk of Resident Evil 7. Well, it turns out, I was completely and totally wrong. Blind people have apparently been completing the game right under my giant nose, utterly ignoring the fact that I had dismissed it entirely. But how could this be? Am I not supposed to be knowledgeable about these things? Well, let’s discuss.

Here’s the first fun fact. People, as it turns out, are wrong all the time. Experts are wrong at least some of the time. It happens. There are many contributing factors to this. In the case of Resident Evil 7, I believe my problem was that I was holding it up to what Resident Evil 6 was, which is really quite a different game, rather than looking at it in a new light. I was concerned that I couldn’t navigate as easily, yet after following the examples I heard about and trying to play the game again, I discovered that with a little more patience, I could get to where I was going. I was concerned about the fact that ammunition was considerably less in RE7 than in RE6. I’m not far enough in the game that I can confirm how much of a problem this is, but facing facts, people have obviously gotten around this issue. These things are understandably difficult to argue when the facts are in front of you.

But here, folks, is the second fun fact. All of this, all of it, is OK. It’s OK that I was wrong, it’s OK for anyone to be wrong. It’s almost great, even. It shows the perseverance and determination of the blind gaming community that they kept trying, and found a way. It shows the depth of what accessibility means, and how things can be different even for those with the same disability. It stresses the importance of options when creating accessibility features, or in my opinion, any features.

We should, as a community, continue to feed each other what information we can about the games we play. We need to keep talking about them, teaching each other how we were successful at this or that game, and accepting as well that we, even amongst ourselves, are different. We all have different strengths and different skill levels, but so do the members of any other gaming community. To be clear, I’m not saying these things aren’t happening, just that they should continue. I just think an example like this brings their importance to the forefront. It’s a big world out there, and there are a lot of games in it. Let’s keep trying, keep playing, and keep working to make the ones we can’t play more accessible for everyone. Thanks as always for reading, and continue to be awesome!

Audio Games: Inspiring a Mission of Accessibility

The work that I do these days has a lot of inspirations behind it. We’ve been through many of them on this blog. Today, though, I want to talk about audio games, and their influence on my way of thinking. There are hardworking developers, usually a single individual or team of 2, that make and have made audio only games for the blind, and they don’t get enough credit for their work. It’s time to give them what I can.

The inability to play a lot of video games leaves a lot of holes in our entertainment choices compared to your average sighted individual. Audio game developers sprung forth from this emptiness, seeking to fill those gaps with quality games of all types. Their motivation was to make games resembling those everyone else knew and loved which could be played by the blind. To me, though, they served as both inspiration, and proof positive that my ideas could work.

I can’t even begin to list all the inspirations for me that have come from audio games, but I can go over a few. Audio Games like GMA’s Shades of Doom showed me that shooting enemies blind was possible if you had enough audio indication of where they were. It also showed me that, with a little extra input, we could locate objects lying on the ground. It even had a few secrets for people willing to blow stuff up, which of course I was. It’s a fantastic game that I still enjoy playing today.

Another pretty sweet game called Superliam, created by L-works, taught me that even side-scrolling adventures with occasional platforming elements weren’t out of the question. A fast-paced, sometimes quite intense thrillride, Superliam’s gameplay was frenetic and fun, and I finally got to experience those super Mario moments where you accidentally jump just a little too far off a platform. Whoops!

My mind continued to expand when I played a game called Monkey Business, currently owned by Draconis Entertainment. Monkey business offered up a 3D environment filled with things to find and interact with. One particular level is actually an old western town, and is probably the best example of this. Hear the piano playing in the saloon, walk toward it, and right on into the saloon, where anything might happen next. It felt alive in a way that Shades of Doom didn’t quite replicate with its tight corridors. I personally believe, as crazy as its premis is, it holds up as one of the best audio games to date.

Remember a long time ago when I published my ideas for how a point and click adventure game could be made accessible through the use of interactive menus? Well, that idea was also inspired by audio games like Grizzly Gulch, and Chillingham, both from a developer known as Bavisoft. Sadly, as I understand it, you can no longer play Grizzly Gulch on modern systems, but I’ve heard Chillingham still works. At any rate, those games used systems like that for all of their gameplay. Navigation, inventory management, using one item with another, all of it. Honestly, even combat was sort of menu based, as targets would appear on your left, in the center, or on the right, and you used your arrow keys to switch between those 3 options. Actually, if you were insane, the hard difficulty levels of those games switched things up from 3 options to 5 during combat. It was not easy. I remember both of those games fondly, and still wish Chillingham actually got its sequel. Freakin cliffhangers.

I believe the point has been made here. Audio game developers were the original outside the box thinkers. Their desire to create, and their ingenuity allowed them to come up with amazing ideas that, as far as I’m concerned, developers can apply today. Everyone out there who is a developer of any game, and is looking to make their game blind accessible should check out some audio games. Learn how those developers got around the issues that might exist, and build off of that knowledge to make something awesome happen. These days, we’ve got zombie shooters just for us, we’ve got a card battle game, we even have a couple RPG’s like A Hero’s Call thanks to the entrepreneurship of Out of Sight Games. We’ve got all these, and more as well. You can find more information, and eeven links to these games, on www.audiogames.net

One final clarification. While audio games are, as many other things are, an essential part of the groundwork for making games accessible to the blind, they are still games produced by small teams. This is why I have said before that audio games don’t quite match the scope of today’s epic experiences. This is why the mission of accessibility holds true. You just read that there are actually a lot of audio games out there, and we love them, but we still want to play what everyone else is playing. We still want to play EVERYTHING else. Thanks all for reading, and of course, continue to be awesome!