It’s OK to be Wrong: The Resident Evil 7 Revelation

“Nah, Resident Evil 7 isn’t playable at all by the blind,” I proclaimed to many people. “It’s missing all the features that made Resident Evil 6 playable, like the map trick we use. Plus the layout requires you to do a lot of backtracking, and also I tried the demo… Yeah, it’s not gonna work.” I’ve been saying this for a while now, as my discussions of Resident Evil 6 often lead to talk of Resident Evil 7. Well, it turns out, I was completely and totally wrong. Blind people have apparently been completing the game right under my giant nose, utterly ignoring the fact that I had dismissed it entirely. But how could this be? Am I not supposed to be knowledgeable about these things? Well, let’s discuss.

Here’s the first fun fact. People, as it turns out, are wrong all the time. Experts are wrong at least some of the time. It happens. There are many contributing factors to this. In the case of Resident Evil 7, I believe my problem was that I was holding it up to what Resident Evil 6 was, which is really quite a different game, rather than looking at it in a new light. I was concerned that I couldn’t navigate as easily, yet after following the examples I heard about and trying to play the game again, I discovered that with a little more patience, I could get to where I was going. I was concerned about the fact that ammunition was considerably less in RE7 than in RE6. I’m not far enough in the game that I can confirm how much of a problem this is, but facing facts, people have obviously gotten around this issue. These things are understandably difficult to argue when the facts are in front of you.

But here, folks, is the second fun fact. All of this, all of it, is OK. It’s OK that I was wrong, it’s OK for anyone to be wrong. It’s almost great, even. It shows the perseverance and determination of the blind gaming community that they kept trying, and found a way. It shows the depth of what accessibility means, and how things can be different even for those with the same disability. It stresses the importance of options when creating accessibility features, or in my opinion, any features.

We should, as a community, continue to feed each other what information we can about the games we play. We need to keep talking about them, teaching each other how we were successful at this or that game, and accepting as well that we, even amongst ourselves, are different. We all have different strengths and different skill levels, but so do the members of any other gaming community. To be clear, I’m not saying these things aren’t happening, just that they should continue. I just think an example like this brings their importance to the forefront. It’s a big world out there, and there are a lot of games in it. Let’s keep trying, keep playing, and keep working to make the ones we can’t play more accessible for everyone. Thanks as always for reading, and continue to be awesome!

Listen to my Story: How I Came to Play and Love Final Fantasy X

When I first heard the glorious music, sound effects, and yes, voice acting of Final Fantasy X, it was on my brother’s Playstation 2, which was most definitely his and not ours and we were not to even think about touching it without his permission. Anyway, I heard him begin the game, and at first was, believe it or not, unimpressed. The voice acting was cool, sure, but I knew from the second that first full motion video played that the game had to be ridiculously short. It just had to be. That was always the tradeoff with games that used FMV, right?

Obviously, I was very, very wrong. I was used to the way things used to be, and Final Fantasy X, though not a launch title, was fairly early in the PS2 era. I quickly learned that the game was actually quite long indeed, and get this, it had a bunch of those little FMV’s too! Now I was officially impressed, but I still kind of dismissed it. After all, I had never been able to play a full RPG before, so why should I be able to now? Even with voice acting, it just wouldn’t be enough, would it?

I remember that I actually tried the demo first. Back in the days of demo discs, I used to receive one per month, and would always mess around with them. I had success with the demo, but even then, I thought it was just a one off. The demo is fairly short, and mostly just demonstrates combat with very little to worry about otherwise. I wasn’t quite there yet.

It was actually my brother, the very person who got me into video games in the first place, who suggested that I try Final Fantasy X. “You should start your own game!” he said one day after a particularly difficult battle. I scoffed at the idea, but by this point in my life I had already done some pretty cool stuff in games, so I figured I’d at least try. And so, one fine morning, I started playing Final Fantasy X, and did not stop for many, many hours. Turns out it was pretty playable after all.

Make no mistake. Final Fantasy X requires a lot of patience if you’re blind. In the first many, many hour session I played, I didn’t get as far as a sighted person might in the same amount of hours. The facts are that the game isn’t designed with us in mind, so we have to take some things into account. We still can’t actually see where we’re going, so we have to be willing to wander a bit until we can find our destination. We also can’t see items or people in the world, so it behooves us to basically mash the X button as we wander in order to find people or items and interact with them. It’s kind of a silly system, but ultimately it works.

The good news for us is that there is no jumping of any sort. This means that there is never a platform we need to jump to, and thus we know that, wherever our destination is, it’s on the ground we’re standing on. It’s hard to explain why this is important, but consider this. If the option to jump even exists, it’s reasonable to expect that you have to use it in some circumstances. If, like us, you cannot see the platform you must jump to in order to proceed, how would you know when to jump? Even if you just jumped around the whole time, you may not even realize you’re on a new level than you were before, and may keep jumping right off of it. In short, with games that aren’t designed to be played by the blind, the less jumping the better.

Here’s another piece of good news. Combat menus in Final Fantasy X don’t wrap. This means they can be memorized, and even used to determine whose turn it currently is. For example, when the game begins, Tiad the main character only has 2 options in his combat menu: attack and item. Aurin, however, has 3 options, because he possesses a magical ability called armor break. Using this small difference, we can tell if it’s Tidas’s turn, or Aurin’s. The combat menus of all characters will grow as they level up and gain new abilities, but that just means we need to pay attention to when our party members learn new tricks. It’s pretty awesome, and enables us to use essentially the same strategies anyone else would in combat.

Speaking of leveling, though, that’s one of the problem areas of Final Fantasy X. Yes, the game can be played if you’re blind, but with 2 exceptions. One is the leveling system called the sphere grid, and the other is certain sections of the game called the cloisters of trials, which are unskippable and in some cases quite complex.

Back to leveling, though. The way the sphere grid works seems simple enough. As you fight, you gain sphere levels, which enable you to move an equal number of squares on the sphere grid. You also earn spheres, which are used to unlock sphere grid nodes, which ar what actually increase your stats. You might be thinking, “well, can’t you just muddle your way through it and level up a bunch of stuff?” And sadly, the answer is no. You see, as long as you have the sphere levels for it, you are not limited in movement. What I mean by this is that you’re just as able to move backwards as forward, and if you cross certain paths, you will end up in the abilities of your other party members. This latter can be useful in the late game, but is certainly not ideal when you’re just starting out. And, because the sphere grid is full of complex pathways, we couldn’t reliably know which way we’re going, which nodes we’re heading to, or whether we’re just going backwards.

The cloisters are trouble for a different reason. They are all puzzles involving the removal of certain spheres, (notice a theme?) from one spot, and placing them in the correct other spot. We can certainly remove and slot these spheres, but remember we don’t actually have a reference for where we’re going. We could remove a sphere, wander around for a bit, find an empty sphere slot and slap it in, only to then realize we placed it right back in the slot we took it from. And that’s only one problem. We also have no idea which sphere we removed, as there are several different types, some unique to the particular cloister you’re in. Think I’m done? Nope. You also sometimes have to push pedestals into very specific locations, or away from locations they’re blocking, and so on. It’s kind of a nightmare for a blind person.

Aside from that, though, the game is quite playable. We are even helped out by the roads in the game, which are essentially straight in most cases. Crazy, right? There’s another unplayable bit called Blitzball, but it is fortunately not necessary to succeed at Blitzball to complete the game. It is necessary to play it once, but you don’t actually have to win. Certainly I would like to be able to play Blitzball, but part of playing games like this, games that nobody expected a blind person to play in the first place, is acceptance of an inability to do certain things in those games. Always, always try hard, but be ready to accept that some things just might not work.

I’m sure there are some little things I forgot. The playability of that game is kind of like the playability of Diablo 3. So many little things combine to allow us to play it as much as we can. I am proud to say I have beaten the game, and I have my brother to thank once again for steering me toward something great. The funny thing about that particular incident, though, is that he never did that before or since. Aside from that and the practical joke that got me started, he has never tried to get me to try something. It sort of makes me wonder what inspired him that time. In any case, I hope this has enlightened some of you fine folks. I am of course willing to answer any questions I can, so please discuss and ask and share. Thanks for reading, and continue to be awesome!

Pressing Buttons: Quicktime Events and Blind Gamers

Greetings readers! Right on the heals of my Shenmue discussion, I wanted to talk about quicktime events As a refresher, quicktime events refer to those moments when you’re watching what appears to be a cutscene, but you must suddenly press a button to achieve something. Failure to press the correct button by pressing the wrong one, or not pressing it in time, results in a failure of the attempted action, which can sometimes lead to the demise of your character. How, though, do blind people deal with these moments, and what do we think of them? That’s what we’re about to talk about.

First, it’s important to note that there are basically 2 types of quicktime events. The first is one where, regardless of how many times you retry an event, or how many playthroughs of a game you do, the button you need to press never changes. These are the ones blind people are sort of OK with, because we gamers don’t typically mind memorization. If we can memorize a quicktime sequence, that becomes the bit we feel good about when going through that section of the game.

The second type is the worst for us. Quicktime events where everything changes every time cannot be memorized, so we can only rely on, pun intended here, (blind luck) to get through those moments. My first tip to game developers who intend to put quicktime events in their game is to avoid this method. Giving us the option of memorization isn’t quite an accessibility feature, but it is a nice perk.

There is another sort of quicktime event type involving directional movement along with a button, such as pointing a cursor at the proper spot before executing your button press, but that’s another can of worms I don’t think we need to open. This would, in a way, be an even worse option than the random button presses, since we have no idea where a cursor would be in that situation. Telltale does this sometimes, and it’s so, so very agrivating.

So I’ve now given you an idea of how we feel about different types of quicktime events, but let us now approach the big question. When it comes to accessibility, if we’re actually talking about a game with accessibility features implemented, what should be done about quicktime events? My answer might surprise some of you. I’ve heard a lot from developers that the answer to blind accessibility is to remove quicktime events entirely, or make them skippable. This, I tell you now, is the wrong approach. Well OK, in my opinion it is. You’re bound to hear several different opinions on the subject, but hey, another key to accessibility is options. We love options!

Anyway, personally I believe the correct approach is to treat quicktime events like the rest of the game, and make them accessible. Don’t remove them and thus remove the challenge. Don’t make us skip them and potentially miss a great part of the story. To me, those are unacceptable options, and honestly, copouts. Make us feel the intensity of those moments like anyone else. Get some voiceover of the names of each button, or use text to speech. Apply this to the quicktime event so that the button we need to press is spoken right when or right before we need to press it. Do this, and you can even keep your randomized button quicktime events, because we’ll still be properly alerted.

If you don’t want to apply a voice to the button, apply a sound. Create a sound that is different for every potential button we might have to press, and play it at the time it is needed. We can memorize those as well. The important thing, though, is just to give us as close an experience to the one a sighted person has as possible. That’s what we want. We’re not asking for easy mode.

And that’s it, I suppose. Quicktime events are an interesting mechanic, and possibly far more elaborate than some thought, but they do not have to be bad things when it comes to accessibility. I guess that’s my point. With the first type of QTE, the one where buttons are never different, (Shenmue is an example of this), we can deal. Make them accessible, and we will love them. Thanks all for reading, and as always, continue to be awesome!

Telltale Games: Making Great Stories Frustrating

Greetings again my most humble and awesome readers. Today I want to talk about the video game developer known as Telltale games. They are known for their episodic story-based titles, which are usually attached to a license of some kind. Back to the Future, Batman, The Walking Dead, and so on. These games are played in the point and click style, and for that reason are not particularly accessible. But you see, myself and some folks like me really love story in games, which is something I’ve covered in blogs before. We love story so much that we will slog through these games regardless. Yeah, I know, we’re crazy. Let’s discuss that.

There are plenty of problems playing Telltale’s games. The most obvious is finding everything we’re supposed to click on and look at and interact with. This is very, very difficult. You can walk freely most times, but you can also move a cursor to click on things as well. So how do we get past this hurtle? Patience. Lots and lots of patience. I often play these games by frantically moving the cursor around with the right thumbstick and mashing the X button on PS4, or A button on Xbox. If I am successful, the character then autowalks to that location and interacts. This is interestingly the feature that makes me believe Telltale games could easily be made blind accessible. Regardless, we are helped slightly by the fact that, in the more recent games, you can only click on most things once. This at least means we don’t have to worry about repeatedly finding the same things over and over, though it’s still a tedious process.

Another problem, though, and some may consider this a more important problem, is dialog. Telltale’s games are heavily influenced by your dialog choices. While we can press buttons to make those choices, we have no actual idea which choice we’re making in advance. This is intensely frustrating, because as the story progresses, we just like anybody else, develop ideas of how we’d like to play the characters, but we cannot really execute those ideas. We must simply live with the choices we are not aware we’re making. Yeah, that’s a thing.

Third, we’ve got quicktime events! Certain moments in the story might require you to press the correct button at the right time to perform some important action. How do we get past these, you might ask? We guess! That’s right, we use trial and error to figure out every button, all the timing, and so on. Eventually, we can usually get through these that way, but it’s definitely not ideal. Dying over and over while just trying to pass a single portion of a game isn’t particularly fun either.

The point I’ve been trying to make with all this is that, as unfun as this can be, I’ve done it anyway. I have accepted that I won’t know which dialog choices I’m making, and that quicktime events are going to take forever. I understand that I’ll need lots of patience to find all the things in each room that I’ll need. Yet, I’ve done it anyway.I played both seasons of Telltale’s Batman like this, occasionally asking for sighted help with certain very specific parts of the game. I also played Tales from the Borderlands, which is a fun and hilarious game, like this as well. I did it because I still enjoy the stories these games tell, and I guess I don’t mind enjoying the story for the story, no matter how much longer that takes me than it would anyone else.

The other point, though, is that these games could easily be made accessible. I won’t go into detail on that here, as I’ve already written a blog which discusses the accessibility of point and click games, but it could be done. Unfortunatley, Telltale themselves have shown a lack of interest in accessibility, not just for the blind but for other types of disability as well. This is unfortunate, as they are capable of producing such great content, but for now it is what it is. It is my hope that one day, their minds change, and we all can enjoy the tales they tell equally. As always, thanks for reading, and continue to be awesome!

A Love Letter to Choice of Games and Hosted Games

Dear Choice of Games and Hosted Games,
This is a love letter to you from a blind gamer, me. I know you get a lot of these. I know your mailboxes must be full of candy hearts and expensive chocolates, but I couldn’t stop myself from writing one of my own. You see, I unabashedly love you. I love your words. I love your happy moments, and your sad ones. I love the choices you offer, and I love their consequences. When there is a long stretch between new games, I ache. I weep. But then, when that email finally reaches my inbox, when I learn that a new release has finally arrived, my heart soars. I stretch my arms toward the heavens, and I smile, for you have, at last, returned.

It is impossible for me to truly convey what you give to blind gamers like myself. It is a sentiment that I know has been echoed by others, but it is one that I wish every single Choice of Games and Hosted Games author could hear. Your engine, the way it essentially presents itself as web pages, is completely, 100% accessible to us. That outward simplicity which hides so much inner complexity is completely and totally playable by us, and I… We couldn’t be happier.

We live in a world filled with story-driven content that we cannot take part in. So many narrative-based video games are still completely inaccessible to us. We could watch playthroughs of these games, but then we aren’t the ones making the choices. It isn’t our personal experience. Not so with you. You offer us worlds even we can explore. You offer us a moldable, shapeable character that we get to create, and a story in that character’s life that, for a little while, we get to live and experience. There are hundreds of characters to meet, foes to join and defeat, and worlds to either save or destroy, all thanks to the choices we make, and the character personality we crafted.

I just wish I could express to you how big a deal that is. I’ve been a gamer my entire life, enjoying the games I can play, and struggling with those I wanted to, but ultimately couldn’t. I’ve also been a reader, and a lover of stories of all kinds. To have your utterly immense and completely accessible library of stories and experiences literally right at my fingertips is mind-boggling and amazing in a way that I cannot properly convey to you. You are awesome!

I know what you’re thinking. “Why now? We’ve been around for years. Where is this letter coming from?” Very true. This has honestly been building for a long time. With tremendous titles like Zombie Exidus, Hero’s Rise, and perhaps the most technically impressive, Tin Star, my desire to write something like this has steadily increased. The final straw, though, was one of your newest games, Choice of Magics. I have now played through this particular story in its entirety 3 times, and I am considering a fourth. Each time, I’ve gotten an ending that was completely different from the ones before it, but it’s about more than just the ending. The ways in which the story can change, even as it’s going on, are so drastic. There are things that can happen that I didn’t believe until they did. It’s an incredible experience, and up there with your best. It is what made me decide it was time to write this. You should be proud of it, as should its author.

Now I’ll admit that I’m also a lover of audio drama, both for good audio design and great perfomances. For that reason, there’s a part of me that wishes your games had the backing of music, sound effects, and voice acting. I think experiences like that could be incredible, yet I also understand why that’s not a part of your design. To have a fully realized video game version of the adventures you guys create, though, (and a fully accessible one at that), would draw in others who haven’t checked you out for whatever reason, and I guarantee they would stay. Here’s why.

It goes so far beyond accessibility with you guys. Both Choice of Games and Hosted Games stand as proof that it is possible to write games in which your decisions matter, something that it seems most developers struggle with. I don’t know if it’s because of publishing deadlines, or the unwillingness to put in the work, but to reach an ending of a choice-heavy game only to discover it’s basically the same as the last ending you got is never fun, and with you guys that almost never happens. If someone directly transferred some of the amazing works I’ve mentioned here into video games, they would be spectacular.

Please understand that this is basically an idle fantasy. As successful as I think they’d be, I ultimately would not seek to change your vision. Personally, though, I wish EVERYONE appreciated you guys as much as I do. I know you get tons of praise as it is, and I am delighted at your success, but I wish everyone who hasn’t checked you out could tear their eyes away from those graphical masterpieces for long enough to check out the unrivaled stories you have to offer. Don’t get me wrong, I know some of those graphical masterpieces are truly great games, and I wish I could play in them too. Still, you guys deserve to be held high for what you do, and that is my goal with this letter. I’m putting you on a pedestal whether you like it or not.

Aside from being a love letter, this is also a thank you. Thank you to the Choice of Games team for having this vision, and thank you for crafting the choice script engine. Thank you to the authors who spend countless hours creating these masterpieces, and putting in the work to keep all those variables in line. I don’t know how I would manage to do what you guys do. Thanks even to the other Choice of Games readers and Hosted Games, who have given them the attention and success they deserve. Thank you all.

Sincerely,
Brandon Cole
Your not-so-secret admirer

For those who haven’t, seriously, check out their stuff on IOS, or even play it on their web site if you like. I don’t think you’ll regret it. And as always, thanks for reading. Please comment, leave feedback, and conversate. Continue to be awesome!